212PC EVBL

WHAT YOU GET:

• The absolute finest impulse responses available today
• Ultra High Resolution 24 bit / 96k .wav files
  
• Each microphone captured in it's sweet spot straight off the RND Shelford preamp
• Each microphone captured in 13 positions across the speaker straight off the RND Shelford preamp (Elite version only)
• Each microphone captured in its sweet spot and eq'd to perfection using all-analog chains including world class gear by Rupert Neve Designs, Manley, SSL, and more.
• 4 pre-mixed popular microphone combinations
• All files are 100% compatible with other IR libraries from MSw and other creators

THE SPEAKER:

Tone Guide: The Electro-Voice EVM12L Black Label is Zakk Wylde's signature speaker. At 300 watts, this is one of the loudest, if not THE loudest guitar speaker available today. Build for pure power and aggression, this speaker is surprisingly well balanced and smooth, while retaining plenty of character and attitude.

Searing leads and rhythms ranging from edge-of-breakup to JCM style high gain allow this speaker to flex it's considerable muscle.

THE CABINET:

These are impulse responses captured using an Orange PPC212 ® 2x12 cabinet. The PPC212 is considered a must-have guitar cabinet by players, engineers, and producers world-wide. Beloved for its uncanny ability to sound bigger than it actually is, the PPC212 has huge, but tight low end and a slightly tamed top end due to the thick cane style grill cloth. All this adds up to an essential studio cabinet heard on countless records from several decades. Many consider this a secret weapon for modern metal productions.

THE MICROPHONES:

• Shure SM57
• Shure SM57 (transformerless mod)
• Shure SM57 Unidyne III
• Royer R121
• Beyerdynamic M160
• AKG C414 XLS
• Sennheiser MD421 II
• Sennheiser e906

THE MASSIVE DIFFERENCE:

No time or expense is spared in creating MASSIVE impulse responses. The best in modern and vintage microphones feed the finest cabling into boutique analog preamps selected on a per-speaker basis. The signal is then converted using our world-class A/D into the digital realm at 32 bit floating point, 96k, where it remains throughout processing until conversion into the final output.