TRAD 412 H75 CrmBck

WHAT YOU GET:

• The absolute finest impulse responses available today
• Multiple formats: 32bit/96k, 24bit/96k, 24bit/48k, 16bit/44.1k
• Each microphone in 6 positions across the speaker
• Each microphone in multiple sweet spots
• 8 pre-mixed popular microphone combinations
• Additional pre-processed sweet spots and mixes specifically designed for live use
• Additional Minimum Phase Transformed (MPT) versions of everything for use with other companies’ IRs

THE SPEAKER:

Tone Guide: Articulate, bright, woody, extremely well balanced.

Based on the Celestion G12H-75 Creamback®, this needs no introduction to the initiated. Of the two classic Creamback models, this one is built around a heavier, 50 oz. magnet. Builders love to use these in smaller cabinets, like 1x12's to give them a larger sound than the smaller cabslook like they should produce. This speaker works well on it's own in nearly any situation or in combination with scooped or dark speakers. You can really pair the H75 with just about any of our IRs (maybe not the M65 or K100) and find a sound you love.

THE CABINET:

These are impulse responses captured using a MESA Engineering Rectifier ® 4x12 Traditional Cabinet. This is widely regarded as a must-have studio cabinet for its ultra tight bottom end and cutting, yet smooth upper midrange. This is the cabinet most often used in modern metal by the genre’s top producers.

THE MICROPHONES:

• Shure SM57 (x2  on/off-axis, and Fredman technique) 
• Royer R121
• Beyerdynamic M160
• AKG C414 XLS
• Sennheiser MD421
• Sennheiser e906
• Audio Technica AE2500 Dual-Capsule Microphone
• Rode NTR

Each microphone is captured in 6 positions across the cone in addition to multiple sweet spots, curated by listening, moving microphones, capturing, re-capturing, and re-re-capturing, until perfect.

THE MASSIVE DIFFERENCE:

No time or expense is spared in creating MASSIVE impulse responses. The best in modern and vintage microphones feed the finest cabling into boutique analog preamps selected on a per-speaker basis. The signal is then converted using our world-class A/D into the digital realm at 32 bit floating point, 96k, where it remains throughout processing until conversion into the multiple formats included in the collection